They Were Friends: Zola et Cézanne
Zola was a master of letters, distinguished gentleman of the school of naturalism, and liberal social activist. He had an substantial output during his lifetime, maybe most famously his letter that blew open the sordidness of the whole Dreyfus Affair, "J'accuse." Another distinguished man of letters, Gustave Flaubert, paid him a high compliment indeed when discussing Zola's Nana as "Nana tourne au mythe, sans cesser d'être réelle."*
Cézanne was a stalwart of the post-impressionistic school of painting, his mastery of colour and the brush forming a bridge between Impressionism and Cubism. Both Henri Matisse and Pablo Picasso have been attributed stating he "is the father of us all."
*"Nana turns into myth, without ceasing to be real." Thought I'd be an ass, like when I read those essays and they quote some foreign text and proceed to offer zero translation like I'm automatically some prerequisite of world languages to be reading their lousy thesis.
Labels: 19th century, alfred dreyfus, cubism, émile zola, france, gustave flaubert, henri matisse, impressionism, naturalism, pablo picasso, paul cézanne, post-impressionism